In Black Sun, Julia Kristeva addresses the subject of melancholia, examining this phenomenon in the context of art, literature, philosophy, the history of religion and culture, as well as psychoanalysis. She describes the depressive as one who perceives the sense of self as a crucial pursuit and a nearly unattainable goal and explains how the love of a lost identity of attachment lies at the very core of depression's dark heart.
In her discussion she analyzes Holbein's controversial 1522 painting "The Body of the Dead Christ in the Tomb," and has revealing comments on the works of Marguerite Duras, Dostoyevsky and Nerval. Black Sun takes the view that depression is a discourse with a language to be learned, rather than strictly a pathology to be treated.
An absorbing meditation on depression and melancholia, moving from essays in psychoanalytic theory based upon the "symptomatology" of Ms. Kristeva's patients to rather more formal studies of depression in Holbein the Younger, Nerval, Dostoevsky and Marguerite Duras. . . . A persuasive theory of depression that is both moving and provocative. ― The New York Times
When Julia Kristeva's new book, 'Black Sun,' begins seductively, with an elegant reminder of that old black mood we know so well, she raises hopes that the darker moments of depression will be illuminated... Kristeva's descriptions of the artistic working through of melancholica are compelling and theoretically sound. ― Voice Literary Supplement
One of the very best psychoanalytic books on depression and melancholia. -- Adam Phillips ― London Review of Books
About the Author
Julia Kristeva is professor emerita of linguistics at the Université de Paris VII. A renowned psychoanalyst, philosopher, and linguist, she has written dozens of books spanning semiotics, political theory, literary criticism, gender and sex, and cultural critique, as well as several novels and autobiographical works, published in English translation by Columbia University Press. Kristeva was the inaugural recipient of the Holberg International Memorial Prize in 2004 “for innovative explorations of questions on the intersection of language, culture, and literature.”
