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Jack (Gilead Novels, 4)


A New York Times bestseller

Marilynne Robinson, winner of the Pulitzer Prize and the National Humanities Medal, returns to the world of Gilead with Jack, the latest novel in one of the great works of contemporary American fiction

Marilynne Robinson’s mythical world of Gilead, Iowa—the setting of her novels Gilead, Home, and Lila, and now Jack—and its beloved characters have illuminated and interrogated the complexities of American history, the power of our emotions, and the wonders of a sacred world. Jack is Robinson’s fourth novel in this now-classic series. In it, Robinson tells the story of John Ames Boughton, the prodigal son of Gilead’s Presbyterian minister, and his romance with Della Miles, a high school teacher who is also the child of a preacher. Their deeply felt, tormented, star-crossed interracial romance resonates with all the paradoxes of American life, then and now. 

Robinson’s Gilead novels, which have won one Pulitzer Prize and two National Book Critics Circle Awards, are a vital contribution to contemporary American literature and a revelation of our national character and humanity.

"For Marilynne Robinson’s devotees, John Ames Boughton, the titular Jack of the fourth volume of her award-winning Gilead novels, is one of the most eagerly awaited literary figures since Godot. . . Robinson is acclaimed for her numinous accounts of faith, forgiveness and hope, but read in this electrifying year of national crisis, the Gilead books are unified as well by her unsparing indictment of the American history of racism and inequality, and Christianity’s uneven will to fight them . . . I am looking forward to a fifth volume that will fill in their saga, and I hope it will be called Della.” ―Elaine Showalter, The New York Times Book Review

"Jack is the fourth novel in Robinson’s Gilead series, an intergenerational saga of race, religion, family, and forgiveness centered on a small Iowa town. But it is not accurate to call it a sequel or a prequel. Rather, this book and the others―Gilead, Home, and Lila―are more like the Gospels, telling the same story four different ways.” ―Casey Cep, The New Yorker

"In Gilead, the first volume, the Rev. John Ames writes that ‘a good sermon is one side of a passionate conversation,’ and Ms. Robinson’s novels work that way, too, replying to one another, querying, clarifying or rebutting, but always sustaining a dialogue that feels as grand and as inexhaustible as the mysteries they explore . . . These novels honor creation by affording us something we only occasionally find in the vastness of existence: a glimpse of eternity, such as it is." ―Sam Sacks, The Wall Street Journal

“With the sublime Jack, [Marilynne Robinson] resumes and deepens her quest, extending it to the contemplation of race . . . Robinson masterfully allows her protagonists to do the heavy lifting of the storytelling and employs deceptively simple dialogue as her primary tool. But make no mistake―there is richness and depth at every turn.” ―De'Shawn Charles Winsolw, O, the Oprah Magazine

"Each of [Robinson's] novels has celebrated the fact that the ineffable is inseparable from the quotidian, and rendered the ineffable, quotidian world back to us, peculiar, luminous, and precise . . . There are passages when Jack’s eye glimmers so clearly on the moment, when his dream logic feels so apt, that the whole world Robinson has illuminated with such care and attention reappears, and we are returned to the prophetic everyday.” ―Jordan Kisner, The Atlantic

“‘Contemporary classics’ is the oft-used descriptor of Marilynne Robinson’s Gilead series, the correct method of describing these lasting and constant books . . . [Jack is] a love story with the highest stakes . . . Jack poignantly shows us the messy, complex, heartbreaking side to getting everything you ever wanted.” ―Emily Temple, Literary Hub

“Not just a meditation on faith and human suffering but a singular portrait of the divine.” ―Leah Greenblatt, Entertainment Weekly

"As each new book appears, the world that Marilynne Robinson first created in Gilead becomes more textured and complex . . . What emerges at the end of Jack is the extent of Marilynne Robinson’s command. She shares with George Eliot an interest in large questions and also a fascination with a wildness in the soul, with a sensuality and a spiritual striving that cannot be easily calmed, and can be captured only by the rarest talent.” ―Colm Tóibín, 4Columns

“Can love save a man from perdition? That question, braided with romance and religion, is at the heart of Marilynne Robinson’s new novel . . .Robinson cradles [Jack’s] love for Della with the tenderness of a gracious creator.” ―Ron Charles, The Washington Post

“A sometimes tender, sometimes fraught story of interracial love in a time of trouble . . . The story flows swiftly―and without a hint of inevitability ―as Robinson explores a favorite theme, ‘guilt and grace met together.’ An elegantly written proof of the thesis that love conquers all―but not without considerable pain.” ―Kirkus (Starred review)

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