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Love and Enchantment

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‘The greatest German novelist of the 20th century’ Spectator

‘A supremely gifted storyteller’ New Yorker

Three of the finest stories by a giant of European literature, collected in a beautiful edition

This triptych of stories represents some of the finest work by the great German master, Thomas Mann. From a classic early account of artistic formation, suffused with deep melancholy, to works that explore the complex social fractures of his time, this volume showcase the range of Mann’s genius and his matchless understanding of character.

In sparkling new translations by Lesley Chamberlain, these tales take us from a tense party in Weimar Berlin to a disturbing magician’s performance in an Italian seaside town, probing the consolations and limitations of art with wit and profound irony.

Part of the Pushkin Press Classics series: timeless storytelling by icons of literature, hand picked from around the globe.

Translated by Lesley Chamberlain

Thomas Mann (1875-1955) was perhaps Germany’s most famous twentieth-century writer. Born to a merchant family in Lübeck, Mann was preparing to enter the family business when his father suddenly died and the business was liquidated. The Manns moved to Munich, where Mann began his literary career with the epic novel Buddenbrooks (1901), which was a huge success. Further novels and stories followed, including Death in Venice (1912) and The Magic Mountain (1924); five years following publication of the latter novel, Mann was awarded the Nobel Prize in Literature. When Hitler came to power, Mann fled to Switzerland, and from there he escaped to California at the outbreak of the Second World War. He is buried in Switzerland, where he spent his final years.

REVIEWS

The greatest German novelist of the 20th century

Spectator

A master magician of German – and world – literature in the 20th century

Telegraph

Mann is Germany’s outstanding modern classic… With his famous irony, he was up there with Schopenhauer, Nietzsche and Freud, holding together the modern world with a love of art and imagination to compensate for the emptiness left by social and religious collapse

Independent

Probably the greatest of modern German novelists

New York Times

A supremely gifted storyteller… a solemn trickster who is never altogether earnest about anything

New Yorker

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