'there is no creature whose inward being is so strong that it is not greatly determined by what lies outside it'
Writing at the very moment when the foundations of Western thought were being challenged and undermined, George Eliot fashions in Middlemarch (1871-2), the quintessential Victorian novel, a concept of life and society free of the dogma of the past yet able to confront the scepticism that was taking over the age.
In a panoramic sweep of English life during the years leading up to the First Reform Bill of 1832, Eliot explores nearly every subject of concern to modern life: art, religion, science, politics, self, society, human relationships. Among her characters are some of the most remarkable portraits in English literature: Dorothea Brooke, the heroine, idealistic but naive; Rosamond Vincy, beautiful and egoistic; Edward Casaubon, the dry-as-dust scholar; Tertius Lydgate, the brilliant but morally flawed physician; the passionate artist, Will Ladislaw; and Fred Vincy and Mary Garth, the childhood sweethearts whose charming courtship is one of the many humorous elements in the novel's rich comic vein.
Felicia Bonaparte has provided a new Introduction for this updated edition, the text of which is taken from the Clarendon critical edition.
