This novel is one of the most ambitious and remarkable literary achievements of our time. It is a picaresque, psychological novel—a novel of the road, a journey or voyage of the human spirit in its search for reality in a world of illusion and nightmare. It is an epic of what might be called the Arabian Nights of American life. Marguerite Young’s method is poetic, imagistic, incantatory; in prose of extraordinary richness she tests the nature of her characters—and the nature of reality.
Miss MacIntosh, My Darling is written with oceanic music moving at many levels of consciousness and perception; but the toughly fibred realistic fabric is always there, in the happenings of the narrative, the humor, the precise details, the definitions of the characters. Miss MacIntosh herself, who hails from What Cheer, Iowa, and seems downright and normal, with an incorruptible sense of humor and the desire to put an end to phantoms; Catherine Cartwheel, the opium lady, a recluse who is shut away in a great New England seaside house and entertains imaginary guests; Mr. Spitzer, the lawyer, musical composer and mystical space traveler, a gentle man, wholly unsure of himself and of reality; his twin brother Peron, the gay and raffish gambler and virtuoso in the world of sports; Cousin Hannah, the horsewoman, balloonist, mountain-climber and militant Boston feminist, known as Al Hamad through all the seraglios of the East; Titus Bonebreaker of Chicago, wild man of God dreaming of a heavenly crown; the very efficient Christian hangman, Mr. Weed of the Wabash River Valley; a featherweight champion who meets his equal in a graveyard—these are a few who live with phantasmagorical vividness in the pages of Miss MacIntosh, My Darling.
The novel touches on many aspects of life—drug addiction, woman’s suffrage, murder, suicide, pregnancy both real and imaginary, schizophrenia, many strange loves, the psychology of gambling, perfectionism; but the profusion of this huge book serves always to intensify the force of the central question: “What shall we do when, fleeing from illusion, we are confronted by illusion?” What is real, what is dream? Is the calendar of the human heart the same as that kept by the earth? Is it possible that one may live a secondary life of which one does not know?
In every aspect, Miss MacIntosh, My Darling stands by itself—in the lyric beauty of its prose, its imaginative vitality and cumulative emotional power. It is the work of a writer of genius.
Reviews
"[Miss MacIntosh, My Darling] is an epic of mothers and daughters,rather than of fathers and sons, husbands and wives, or war and peace, and Young's sentences, which marry the breadth of Whitman to the opulence of Nabokov, are among the most virtuosic ever produced by an American novelist." —Ryan Ruby, The New Yorker
"Miss MacIntosh is a novel as infinite and mystifying as life itself." —Meghan O'Gieblyn, The Paris Review
"This book isn't a doorstop; it's a door, and a house, and windows, and the lot that it all sits on, and the sinkhole that's constantly swallowing it. How can you say that infinite possibility doesn't exist? It's sitting right there, and it's so big. You may not ever reach utopia, but you can always pick up this book again." —Paul Christman, The Baffler
"This is a search for reality through a maze of illusions and fantasy and dreams, ultimately asserting in the words of Calderon: 'Life is a dream.'" —Anaïs Nin
Biographical Information
A descendent of Brigham Young, Marguerite Young was born in Indiana in 1909 and spent most of her life in Greenwich Village, where she associated with writers like Richard Wright, Carson McCullers Truman Capote, and Gertrude Stein. In addition to Miss MacIntosh, My Darling she published two works of poetry, a work of nonfiction (Angel in the Forest), a collection of essays and stories (Inviting the Muses) and Harp Song for a Radical: The Life and Times of Eugene Victor Debs, which was published posthumously.
