"In this delightful autofiction―the first book by Gainza, an Argentine art critic, to appear in English―a woman delivers pithy assessments of world–class painters along with glimpses of her life, braiding the two into an illuminating whole." ―The New York Times Book Review, Notable Book of the Year and Editors' Choice
The narrator of Optic Nerve is an Argentinian woman whose obsession is art. The story of her life is the story of the paintings, and painters, who matter to her. Her intimate, digressive voice guides us through a gallery of moments that have touched her.
In these pages, El Greco visits the Sistine Chapel and is appalled by Michelangelo’s bodies. The mystery of Rothko’s refusal to finish murals for the Seagram Building in New York is blended with the story of a hospital in which a prostitute walks the halls while the narrator’s husband receives chemotherapy. Alfred de Dreux visits Géricault’s workshop; Gustave Courbet’s devilish seascapes incite viewers “to have sex, or to eat an apple”; Picasso organizes a cruel banquet in Rousseau’s honor . . . All of these fascinating episodes in art history interact with the narrator’s life in Buenos Aires―her family and work; her loves and losses; her infatuations and disappointments. The effect is of a character refracted by environment, composed by the canvases she studies.
Seductive and capricious, Optic Nerve marks the English–language debut of a major Argentinian writer. It is a book that captures, like no other, the mysterious connections between a work of art and the person who perceives it.
“Falling somewhere between essay and close personal narrative, Optic Nerve reads like a museum. It encompasses countless styles, eras, and characters, offering new stories and ideas for our narrator to follow down winding hallways. Considering artist legacies, Argentine culture, and the accuracy of perception, Gainza paints life and art as adjacent forces; fabricated images and stories become real, casting their shadows onto memory.” —Nikki Shaner–Bradford, The Paris Review
“Gainza’s narrator is an Argentinian woman with a great interest in art and she weaves in and out of anecdotes from her own life, information about artists, and engagement with the art itself. Its discursiveness is its greatest strength; the smooth movement from one subject to the other is engaging and satisfying. Gainza also has an ability to wrestle with the contradictions and small lies that operating in the Art world, so to speak, produces.” —Bradley Babendir, Chicago Review of Books
“Here, art is a trellis around which life knots and overlaps, severs, climbs upward . . . Optic Nerve’s episodic iridescence—the way each chapter shimmers with the delicacy of a soap bubble—belies its gravity. Gainza has written an intricate, obsessive, recherché novel about the chasm that opens up between what we see and what we understand . . . a radiant debut.” —Dustin Illingworth, The Nation
