The highly anticipated release of the most personal novel by Kyung-Sook Shin, who first burst on to the literary scene with the New York Times bestseller, Please Look After Mom.
Homesick and alone, a teen-aged girl has just arrived in Seoul to work in a factory. Her family, still in the countryside, is too impoverished to keep sending her to school, so she works long, sun-less days on a stereo-assembly line, struggling through night school every evening in order to achieve her dream of becoming a writer.
Korea’s brightest literary star sets this complex and nuanced coming-of-age story against the backdrop of Korea’s industrial sweatshops of the 1970’s and takes on the extreme exploitation, oppression, and urbanization that helped catapult Korea’s economy out of the ashes of war. But it was girls like Shin’s heroine who formed the bottom of Seoul’s rapidly changing social hierarchy, forgotten and ignored.
Richly autobiographical, The Girl Who Wrote Loneliness lays bare the conflict and confusion Shin faces as she confronts her past and the sweeping social change of the past half-century. Cited in Korea as one of the most important literary novels of the decade, this novel cements Shin’s legacy as one of the most insightful and exciting writers of her generation.
“Shin writes about a time and setting that may seem remote to many Americans, but in many ways her specificity is universal; we all have a monster that has no face, and which we try to avoid. Shin paints her own monster for us.”
- New York Times Book Review
“Kyung-sook Shin's work often inhabits the space between story and reality. Though the autobiographical novel is a well-worn genre, Shin handles it with the sort of effortless ruthlessness a story like this requires, without letting either the narrator or the reader rest easy about the line between truth and fiction. It's no wonder that despite being grounded in signposts of the everyday, The Girl Who Wrote Loneliness has the tenor of a ghost story. Shin anchors her narrator in vivid details rather than narrative absolutes. A haunting, remarkable novel.”
- NPR
“In The Girl Who Wrote Loneliness, Shin opens her nation's transition and her people's struggle to the world that looked away for all those years. Please Look After Mom, Ms. Shin's poignant examination of how Korea's evolution has impacted the different generations, gave birth to these other translations. But her later works are still more profound. While South Korea is but a whisper of its former self, Ms. Shin's writing grabs hold of those memories and brings them loudly to the surface.”
- The Economist
“Intimate and hauntingly spare. A raw tribute.”
- The New York Times Book Review
“Shin's unemotional delivery and understated yet devastating perspective on her country's expectations and norms are familiar from her earlier novels, but this book's grim glimpse into the lives of factory girls is notably haunting. There's a hypnotic quality to this melancholy coming-of-age story described as 'not quite fact and not quite fiction.' Allusive and structurally sophisticated, it melds Shin's characteristic themes of politics, literature, and painful experience into a mysteriously compelling whole.”
- Kirkus Reviews
“This work stands the test of time. Isolation and suicide among young adults worldwide have only tragically multiplied, making The Girl Who Wrote Loneliness urgently auspicious. Described at beginning and end as “not quite fact and not quite fiction,” this book is essential reading.”
- Library Journal, starred review
“Affecting. How does an author write about a troubled land when her sorrow is so great? Shin's novel provides a powerful record of the time.”
- The Minneapolis Star Tribune
“The most moving and accomplished, and often startling, novel in translation I’ve read in many seasons. Every sentence is saturated in detail.”
- The Wall Street Journal
“Haunting. The novel’s language, so formal in its simplicity, bestows a grace and solemnity.”
- The Boston Globe
“A moving portrayal of the surprising nature, sudden sacrifices, and secret reveries of motherhood.”
- Elle
“The tone is as dreary as its topic, but it is a fictional account of what absolutely must be told and known. Intense but revealing historical fiction that the author calls something between ‘not quite fact, not quite fiction.’”
- Historical Novels Society
