“Nothing quite like this has ever been published before,” proclaimed The Guardian about the Neapolitan novels in 2014. Against the backdrop of a Naples that is as seductive as it is perilous and a world undergoing epochal change, Elena Ferrante tells the story of a lifelong friendship between two women with unmatched honesty and brilliance.
The Story of the Lost Child is the concluding volume in the dazzling saga of two women― the brilliant, bookish Elena, and the fiery, uncontainable Lila. Both are now adults, with husbands, lovers, aging parents, and children. Their friendship has been the gravitational center of their lives. Both women fought to escape the neighborhood in which they grew up―a prison of conformity, violence, and inviolable taboos. Elena married, moved to Florence, started a family, and published several well-received books. In this final novel she has returned to Naples, drawn back as if responding to the city’s obscure magnetism. Lila, on the other hand, could never free herself from the city of her birth. She has become a successful entrepreneur, but her success draws her into closer proximity with the nepotism, chauvinism, and criminal violence that infect the neighborhood. Proximity to the world she has always rejected only brings her role as its unacknowledged leader into relief. For Lila is unstoppable, unmanageable, unforgettable.
The four volumes in this series constitute a long remarkable story that readers will return to again and again, and each return will bring with it new revelations.
Longlisted for the 2016 MAN BOOKER INTERNATIONAL PRIZE
"Dazzling...stunning...an extraordinary epic."
—Michiko Kakutani, The New York Times
“It's spectacular, but you will only realize how spectacular The Story of the Lost Child is if you do not cheat. You must read the three earlier (also superb) Neapolitan Novels or the perfect devastation wrought by the conclusion of this last novel will be lost on you.”
—Maureen Corrigan, NPR Fresh Air
“It is the exploration of the women’s mental underworld that makes the book so singular an achievement in feminist literature; indeed, in all literature.”
—Joan Acocella, The New Yorker
“Ms. Ferrante has in fact, for more than 20 years, written about female identity with a heft and sharpness unmatched by anyone since Doris Lessing.”
—The Wall Street Journal
"What words do you save? Here's your chance to bring them out, like the silver for the wedding of the first-born: genius, tour de force, masterpiece. They apply to the work of Elena Ferrante, whose newly translated novel "The Story of the Lost Child" is the fourth and final one of her magnificent Neapolitan quartet, a sequence which now seems to me, at least within all that I've read, to be the greatest achievement in fiction of the post-war era."
—Charles Finch, The Chicago Tribune
